tag:blogger.com,1999:blog-7891551143791987561.post6131370193555065477..comments2013-09-05T02:38:26.123+01:00Comments on The Animation Art of Neil Housego: ANIMATION PLANNING 2Neil Housegohttp://www.blogger.com/profile/18224653654565967909noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7891551143791987561.post-40910535423272235802011-06-12T20:43:58.817+01:002011-06-12T20:43:58.817+01:00Thanks, glad they are helping. I will be certainly...Thanks, glad they are helping. I will be certainly covering that topic in detail in the coming weeks, as I get deeper into the scene. It can be tricky as there are many things to consider when breaking a scene down after you have your storytelling drawings/ golden poses. But for the minute it may help you to think that the golden poses are WHAT'S going on in the scene (ie. the story) and the breakdowns are the drawings that show HOW it moves. How the character moves comes down to their personality and intentions. Also when in the breakdown process I am thinking about arcs, overlaps etc. to help show appropriate weight, gravity and speed. Not sure how much help this is, but I'm hoping it will be a lot clearer when I get to posting that stage!Neil Housegohttps://www.blogger.com/profile/18224653654565967909noreply@blogger.comtag:blogger.com,1999:blog-7891551143791987561.post-9555539849634295502011-06-11T15:22:01.759+01:002011-06-11T15:22:01.759+01:00I'm enjoying reading these; very helpful!
I...I'm enjoying reading these; very helpful!<br />I'm working on a scene with this month's sound clip from 11 Second Club, maybe not for submission, but at least for practice.<br />I take that you might cover this in future posts, but, I've got the main acting planned out (as in the body expressions in the main bits of the dialog) but am finding it hard to figure what to do with the inbetweens of that..<br />And that's one gorgeous and adorable baby! C:satohttps://www.blogger.com/profile/12632531976178454337noreply@blogger.com